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TEEN: - Complete Hedwig's Run (Original, One-Shot) (TEEN)

Dorothy LaRouge

Have you listened to the Mountain Goats today?
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  1. She/Her
Just a little short story I wrote over the course of a few days, to practice on-the-fly plotting and to get some more experience with certain characters.

It’s set in my world of Kalasha, but several years before the book I am currently writing.

It’s not very good, but maybe someone will like it :p enjoy, and tell me what y’all think!

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Kapital, capital city of Goblizto (the goblin kingdom)

tumblr_n32d8iZnEX1qf1kero1_1280.jpg


A map of Goblizto, for reference.



Hedwig Reiter hit the ground running.

Her package was tucked securely under her arm. It was just a few loaves of bread and apples. Kapital was a big city, and the rich goblins who lived in the upper districts had plenty of food, so why shouldn’t she take a little bit from one of the estates? It wasn’t as if that stuffy baronet would have missed them or anything. She had to eat too! Why didn’t anyone seem to understand that?

“Stop, thief!” one of the guards chasing her called out, for what seemed like the millionth time. Hedwig had to give them credit: the continued pleas for her to stop in the face of Hedwig very clearly refusing to do so showed either a great deal of determination, or a great lack of intelligence.

Hedwig’s feet slapped against the cobblestones. She was tearing holes in her shoes at this speed, but they had already been rags anyway, so this wasn’t of concern to the girl. She could make new shoes later, and the bruises her feet would get from the stones were nothing compared to how much the guards would beat her if she was caught. She ignored the burning pain that was building in her feet and pressed on.

She barrelled through a cluster of pedestrians, who issued a series of colorful swears in her direction in response. Hedwig turned her head to blow a raspberry back at them, and watched as her pursuers tripped up and stumbled as they ran into the pedestrians. A soft, melodious laugh escaped Hedwig’s lips as she turned the corner and ran out of sight.

She was in an alleyway now, part of Kapital’s labyrinthine network of alleys and gutters. The guards would not be able to navigate the maze, but Hedwig had learned her way around in the years she’d been in the city. All she had to do was make a few turns, and she’d be as good as disappeared.

When Hedwig decided she had gone far enough, she stopped to rest. She slid down against the side of a building and came to a seated position on the cobblestone ground. She wondered what time it was. She had become less and less aware of the passage of time since she’d begun to live on the streets. She had a vague awareness, but the loss of regular meal times blurred things. She ate when she could, and survived how she could. That, she had learned, was the code of street life.

She curled her toes. Her shoes were ruined - the fifth pair this had happened with. She’d have to steal some more fabric to make a new pair. Inconvenient, but not impossible. She’d probably stolen enough money to buy a pair, but it would be a waste; until she had enough money to live off the streets in perpetuity, any clothes she bought would wear out just as much as the ones she stole. She wondered how much money she had accumulated by now. She had been grifting and pickpocketing in Kapital for five years now, so she probably had obtained a reasonable amount. Likely, she’d soon have enough funds to comfortably start a new life in some other country - Srintalo, perhaps. Or maybe Dessen. Somewhere far away, as far away from her family as possible.

Her head itched. It’d been weeks since she washed in the river. There were too many people at this time of year, even at night. It would be a few more weeks before she would be able to have enough privacy to clean. For now, she scratched at her dirty and matted hair. Her health had deteriorated since she’d arrived in Kapital. Her skin, once an olive green, had yellowed considerably, and she had lost at least two teeth. She was thin and gaunt, and dark shadows clung below her eyes. She wondered what her family would think if they saw her in this emaciated state.

They would probably say it’s what I deserve, she supposed. They were the ones who threw me out, after all. As if it was my fault I prefer women. Why should it matter if that “violates tradition” or “threatens our bloodline?” Shouldn’t my feelings take precedence?

Not to her family, it seemed. The House of Reiter fit the stereotype of the stuffy, arrogant, aristocratic family perfectly. They had cast Hedwig out and cut her off when she refused to pretend to be something she wasn’t. In less than a day, Hedwig had been slapped in the face with the harsh reality which the common folk faced each day: the nobility only cared about what was of use to them. Anything else was disposable.

But Hedwig survived, to spite her former family. She would raise herself back up and spit in the face of the aristocracy. This was what she had sworn that day, and she had worked to achieve that goal since then without rest. She would not allow herself to fail.

Her stomach rumbled. She had been lost in thought for too long, neglecting the food she held, and her stomach protested this. She acceded to her hunger and stuffed the bread into her mouth greedily. She did not waste a single crumb. Before she knew it, the bag was empty and her stomach was full. She gave a half-groan, half-sigh of contentment. It had not really been that heavy of a meal, but she had been so hungry that it had felt like a feast.

She wondered again what the time was. She had a vague certainty that evening would arrive before long, and she could begin her daily hustling of the compassionate marks giving alms in front of the temple. She thought she might feign boils today, or perhaps leprosy. Those always drew in the big donors. Taking pity on a poor, wretched leper was a good way for the rich to look as though they cared about others.

“Preparing tonight’s grift?” came a voice from down the alleyway. Hedwig started and snapped her head in the direction of the voice. She beheld a pair of goblins, both tall and thick men dressed in black. The taller of them stood behind the shorter, arms crossed and face stoic. The tall one had a thick beard that grew down to the top of his chest.

The shorter of the two had mossy-green skin and black hair that was slicked back with grease. he had a cocky grin, a hand on his hip, and the eyes of a trickster.

“We’ve had our eyes on you for quite some time, Frau Thief,” the short one said. He pronounced “thief” as if it were a great and honorable compliment. “I must say, we’ve been quite impressed. You can pick pockets, you can scam, you can rob, and you can throw just about anyone off your trail. Your competency as a street rat is remarkable.” Again, he used words that had always been used as insults toward Hedwig, and made them compliments.

Hedwig sighed. “I can’t say I’m happy to have been stalked by a pair of thuggish-looking goblins.”

The short one clicked his tongue and shook his head scoldingly. “Oh, not stalking, Frau Thief,” he protested. “Stalking implies malicious purpose. My associate and I have merely been assessing your capabilities and observing your habits in choosing marks. The latter of those is especially important for our purposes, as it reflects your priorities and character.”

“How’s that?”

The short goblin held up his finger. “It’s very simple,” he explained. “My associate and I have no interest in opportunistic thieves who make no distinction between marks. A thief who will take from a starving peasant as readily as a decadent noble is repulsive to us. Our interest is in those rare thieves with scruples - the ones who understand that the enemies are at the top.”

“Is there a point to all of this?” Hedwig asked with a roll of her eyes. “I don’t have all day. If posturing is all you’re going to do, I’d like to take my leave.”

The short goblin grinned again. “My name is Alfher Klingezunge,” he introduced himself. “The big man behind me is called Guntram Falkenrath. We have made it our business to bring together a group of like-minded scabs of society: a band of thieves, cutthroats, and scoundrels with a mutual distaste for the aristocracy and nothing to lose. We will strike at the powerful and the elite, and raise up the downtrodden, miserable refuse of society - and make a cozy profit in the meanwhile.

“As I’ve said, Frau Thief, we have been observing you. Not once have you stolen from anyone but the wealthy. You even take advantage of the self-indulgent faux compassion of the rich outside the temple. Whatever your reasons are, you exclusively target the rich. I admire that. That’s why I’ve decided to offer you a spot in our merry band.” He held out his hand. “What do you say, Frau Thief? Do you want to give the aristocracy what they’ve got coming to them?”

Hedwig considered for a moment before smiling and taking Alfher’s hand and standing. She and Alfher were around the same height, and they stood exactly at each other’s eye level. “First,” she told him, “my name is Hedwig. Secondly, I expect to be provided with clothing, food, and weapons. I’m quite fond of curved knives. Finally, I don’t care how uncouth you underworld types are, I will not be tolerant of harassment of any sort. It’s your responsibility to ensure that your men keep their hands to themselves. If they fail to do so, they will likely find themselves lacking hands entirely. Is that clear?”

Alfher smiled. “Absolutely, Frau Hedwig. All conditions agreed to. Shall I show you to our camp?”

Before Hedwig could respond, the guards that had been chasing her before turned the corner into the alleyway. “There she is!” one of them cried. “Stop right there, thief!”

Still trying that line? Hedwig thought. I suppose I admire their determination. She glanced at Alfher. “Camp sounds good right about now, yeah.”

Alfher grinned. “Follow me!” He and Guntram broke into a sprint, with Hedwig close behind, as the guards charged.

Hedwig’s feet slapped against the cobblestones. Once again, she found herself running away.

She wondered if she would ever be able to stop.
 
Well, first of all, nice picture!

And your story is professionally written. It started off more 'light' then proceeded to get more serious when you introduced the reason why Hedwig was in her current state (I wasn't expecting that).
Even though it's a one-shot, it seems like the story is just getting started. It feels like a lot is left hanging; is that how one-shots work?

And 'Frau'; I really like that name.
 
Well, first of all, nice picture!
Thank you! It took a while to get the maps just right.


Even though it's a one-shot, it seems like the story is just getting started. It feels like a lot is left hanging; is that how one-shots work?
It is part of the continuity of the novel I am in the process of writing. This was partially practice at writing some of its characters (such as Alfher and Hedwig), and that's why it feels open ended.

And 'Frau'; I really like that name.
Alfher is a nicknamer, so he tends to give people terms of endearment. "Frau," meaning "lady," is one of these.
 
Yay for one-shots that don't require tons of archive delving!

Before I get into grammatical nitpicks, I'll give some general commentary. I have literally zero idea about anything in the continuity outside of what I learned here, but I understood the story perfectly well, so good job on that. I can't really tell if there are more than superficial differences between goblins and humans that would actually warrant a species difference, but I'll live that for the rest of the continuity and assume that there is. I'm also curious why goblins get human diseases... and how she could fake them... but I'm going to assume that's also discussed elsewhere.

Other than that, as far as I can tell this is something of a prequel dealing with the back story of a member of a Merry Men-expy stealing from the rich in an appropriate old timey/fantasy distopia. The characterization, while not particularly original, is about as interesting as you're going to get through a one-shot of that length. The main character is obviously reasonably intelligent and surprisingly arrogant given their current status, which probably has more to do with their past status than anything.

And now that I'm done with my "telling you things you already know" part of the review (which had the added value in this case of giving you an outsider's perspective), let's move onto what didn't blow me away.

Which here means grammar. I write at absurd speeds once I get writing, once knocking out 35,000 words in a week, so I understand that this makes errors inevitable. Some were still sloppy and could've been caught by looking it over, though. Here are the ones I caught:


Beausoleil said:
Hedwig had to give them credit: the continued pleas for her to stop in the face of Hedwig very clearly refusing to do so showed either a great deal of determination, or a great lack of intelligence.

I think the second Hedwig could be "her" easily enough. It's pretty clear who the pronoun would be referring to.

She barrelled through a cluster of pedestrians, who issued a series of colorful swears in her direction in response. Hedwig turned her head to blow a raspberry back at them, and watched as her pursuers tripped up and stumbled as they ran into the pedestrians.

Use of "pedestrians" in two consecutive sentences. "Crowd" or something might be better for the second one, as that's a pretty noticeable word to repeat.

When Hedwig decided she had gone far enough, she stopped to rest. She slid down against the side of a building and came to a seated position on the cobblestone ground. She wondered what time it was. She had become less and less aware of the passage of time since she’d begun to live on the streets. She had a vague awareness, but the loss of regular meal times blurred things. She ate when she could, and survived how she could. That, she had learned, was the code of street life.

Four consecutive sentences start with "she." Try switching up structure a little. Incidentally, this is also a bit of a problem in the next paragraph. As someone used to writing characters alone, I fully understand this problem and how annoying it can be to spot and deal with. But reordering sentences and adding transitions and clauses and such to the front of sentences improves flow at points.

he had a cocky grin, a hand on his hip, and the eyes of a trickster.

Capitalization error.


All of which really could've been caught by taking the time to read the story aloud.

With that said, it was still a one-shot that established what it probably needed to in the continuity and made sense without which is about all you can expect given the story's purpose and length. So overall I would say it was pretty good, it just needed someone to look it over before publication or you giving it another glance or two. Beyond that, nice job and I might get around to checking out Bulbagarden if I ever feel like doing some serious archive binging.
 
Awards feedback:

This was a pleasant enough story for what it was: a one-shot look into a characters life. Knew that coming in, it was what I expected and you delivered on that point. Everything was to the point and building up to Hedwig meeting the theives, and this was clearly a little snapshot in part of your world. But while that worked, it also is one of this piece of works flaws: it feels too much like a prologue, first chapter or even part of a bigger story than it does feel like a stand alone one shot. I like my short stories to have at least some degree of conclusion, but this didn't really, instead feeling like Chapter Two should have been posted next.
Hedwig and the golbins were well described and interesting enough: there was a lot to digest in one thousand words but they seem interesting characters to read later on. I think you could have given more time to describing the actual setting, which I was left to imagine a lot of myself based on my own ideas of what a medieval type city should look like, and it would have been nice to get your own touch on it.
There were some areas that were quite well written and very mature, such as Hedwig’s internal thoughts, but other parts just didn’t work. The statement where Hedwig thinks about why she is robbing seems a little to forced to be natural, and her blowing raspberries didn’t seem to mesh with the nature of the story, which are just two examples of some awkward wording that didn’t seem to match the rest of the story. Your grammar was pretty solid too asides from the weird word choice in a few places.

My final thoughts: this would work a lot better as the start of a bigger story than it would as a one shot, and that is mostly where the story suffers as I personally feel like I cannot enjoy it on its own. It was well written thought and Hedwig was an interesting character, but I think you would be better off saving it to be part of a larger story.
 
Hey-o, post-Awards Review coming your way.

First off, despite the negativity, I thought this story was quite good. I also have to be fairly critical because I thought that all of the stories I read this season were quite good, so. Lots of criticism flying everywhere, but this was still quite well done.

Plotty Things: Eh, it's a story about a street rat and opens of with her stealing something to emphasize that she's a street rat, and then she runs away, and she also is picky about whom she steals from... Why do I have the sudden urge to sing Aladdin here? Or, uh, Wan, Oliver Twist, Cat of the Canals...

Joking aside, I do have mixed feelings here. The whole "quasi-young person disillusioned with "honest" lifestyles and resorting to robbing people, but only bad people" is probably a trope as old as time, and I'm not particularly sold that this is an original idea or anything. That being said, everything has been done before, and there were a lot of deeper aspects here (such as Hedwig's old life and sexuality) that seem new to this brand of story, and I found that the plot was overall well-done, if a bit derivative.

I sort of treat one-shots as short stories, which may be incorrect on my part, but I also don't know if this would constitute a story on it's own (although I doubt it would work as a prologue or something either; I can explain my reasoning there but it's irrelevant to do so here). There isn't terribly much going on, and yet at the same time I presume this is a momentously important moment for Hedwig--not being familiar with the rest of your canon, though, I kind of don't feel much of an impact from reading this, I guess. This plot sort of dangles, the poignant moments don't particularly go anywhere, and by the end I'm kind of left with this feeling that I've read something good but it's entirely out of context and I don't quite know what to do with it, like if I read a random backstory chapter of a book or something with no prior knowledge about the book. I guess that's bonus points to your style, at least?

Setting-y Things: The tumblr link in your introduction is broken, I think? Not that I would've given you bonus setting points had it worked, as I'd prefer to get a handle on the setting during rather than outside of the story, but as a reader rather than a critic I wouldn't have minded the external information haha nitpicks.

It's hard to establish good setting in a story of this length, so there's really not much to see here. You seem familiar with your canon, but the problem is that a lot (well, probably all?) of readers aren't--for instance, I had forgotten that goblins existed in this universe until about midway through the story, and then it was like "woah, goblins," and while I get that the goblins/whatever other quirks your setting has is quite important for your overall story, here, they have relatively little impact. This could be set anywhere (for instance, Agrobah) with not much impact on the plot.

There's a lot of hints at a larger world here--socioeconomic issues, goblin underground crime (?), and tons of things, but not much to delve into here. However, as a short story, this is okay, and it's probably better that you gave us a small amount of words about plot rather than setting.

Character-y Things: Easily the strongest part here, but at the same time it does wear thin in places. Hedwig seems like a mix of too much: she's world-weary but she'll stop and make faces at her pursuers/blow raspberries; she's cynical that the world around will never accept her but jumps at the chance to join a new organization of which she has next to no knowledge. Juxtaposition isn't necessarily bad (in fact, it probably is more natural), but you need to establish a baseline character before you start adding in the different moments, or else it just looks odd. Again, a lot of this would probably make sense in the context of your larger story, which I understand is supposed to be novel-length, but on its own, this one-shot has some iffy characters.

Also, nothing particularly new here (see the plot comments) with the running thief aspect, but it still works fairly well. The nuances about Hedwig's past, as well as the implications that she wasn't always a thief/had a home at some point, were quite entertaining.

Stylish Things: Solid mostly, but it varies. In particular, you tend to bounce your tone too much, and this becomes especially noticeable in a piece this short. For instance, you have a string of petulant-sounding "but I'm hungry too can't you see?"-esque questions early on, and then you'll drop things like "Hedwig acceded to her hunger," and they don't really help you establish a good voice. Also, while I understand the need to drop Hedwig's backstory and a bare minimum amount of knowledge regarding Kapital (if I haven't mentioned the fact that having Kapital as the capital city of the goblin-filled city Goblitzo, um. It sounds kind of unoriginal, unless there's an in-universe explanation. English-speaking humans probably wouldn't name a capital city Kapital, (it'd be like naming a normal city Sitie) and goblins probably wouldn't name their country after themselves (Humania?), so it seems like an odd name on both sides), but it got a bit heavy at some times. The chase itself didn't feel as intense as it could because you'd alternate between "ooh, suspense what if they catch me" and "oh and have a history lesson."

Generally solid prose overall, though.

Technical Things: Yarp nothing to see here.

Overall Things: It's hard to get a good story going in this amount of time, and even harder since I don't think you really intended to tell a complete story, but rather a snapshot of whatever overarching canon you're writing. That's cool, but unfortunately, this snippet here feels just like that--a snippet--and it's difficult to get much out of it. With nothing to ground the work in, along with a fairly basic plot and mere glances of a larger world, it's hard to fully enjoy this story without feeling like something is missing.

That said, overall the prose is very nice, and you fleshed out Hedwig's struggles decently well in the period allotted. She is, at least, not yet another Oliver Twist, but that's about the extent that we get from this little snapshot.


Concrit Maybe?:

As a short story, as I've said many times before (haha sorry for the repetition), there's just something missing. There's just not enough here, but at the same time there's also too much here, and it's not a particularly good mix. There's not enough plot to stand on its own, but there's too much worldbuilding and things mentioned for the story to end here. Obviously, a lot of this is rectified if we treat the story as a one-shot (which it is! Gah! Frustration!), but since there's not much to go off of in terms of the canon here, which is apparently of your own creation, the story flounders.

As such, there's not really much I can offer here for concrit, given the nature of the beast. Being unfamiliar with your canon, I have no idea how effectively this one-shot sets up Hedwig/world/plot/anything in the context of the rest of your story, and that's not at all your fault or anything that you can really fix in the constrained space of a one shot. :>

tl;dr: Well-written, but the lack of background canon made this very difficult to critique and also left a lot hanging.
 
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Hey there! I decided to give this a quick read since one shots are nice for reviewing.

It's hard to pin down exactly what the purpose of this short piece is. It does a good job of doing a bit of worldbuilding and establishes Hedwig's character, which is all well and good, but ultimately it leads to nothing. As part of a longer story, or even just as part of Hedwig's backstory, this would be great. As it is, though, something is definitely missing. Writing one shots and short stories can be tricky. It's hard to decide what to include and what to leave out, how in depth to go, where to start the story, and most importantly: where to end it. Action happens in this one-shot. Well described, interesting action. But there is no build up to said action (which isn't a problem at the start of a story) and no resolution to the action. There is no rise and fall, no climax. Unless you're specifically trying to be super edgy, even a short story needs those elements.

Overall I liked the story though, and Hedwig was a good, believable and fun character. I'd definitely like to see more from these characters and this world.

The only technical or stylistic mistakes I spotted Rediamond already pointed out. Be sure to read over your writing out loud at least once before you post it. You'll catch a lot of those repetition errors and it really helps with deciding whether to use the name or pronoun for a character.

Keep up the good work!

Review Extravaganza 26/50
 
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