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Fanfiction is written with the assumption that the reader is already familiar with the source material, but some authors still write exposition in their fanfics. What do you think of this?
Personally, I don't like this, but I'll tolerate it in crossovers, because the reader might not be familiar with both universes.
A BAD example of exposition was a Pokémon Mystery Dungeon fanfic where most of the first chapter was a series of questions-and-responses between two characters with no action in between, creating a glorified bullet-point list of basic Pokémon mechanics.
A GOOD example of exposition is in an aggressively decent Harry Potter/Fullmetal Alchemist crossover where Alphonse Elric ends up hanging out with the Golden Trio during the Deathly Hallows, because it provides characterisation for Al. Highlights included him saying that wizards didn't want to take responsibility for their actions, wondering what's wrong with horcruxes, and the trio freaking out when he takes his helmet off. It was a bit stupid for Ron to reveal a bunch of stuff about the Wizarding World to some random Muggle he just met, though.
When I write Pokémon crossovers, I'll try to spread out the exposition, only describing things when they're necessary to come up, to avoid bogging down the story. I'll only describe a Pokémon species in great detail if it'll be important to the whole story and it hasn't been described before, and incidentally, I'll only compare them to animals if the perspective character has never seen a Pokémon before.
I once read a Pokémon/My Little Pony crossover where a pony mistakes a human for a dragon, and I liked that because it was funny, and something I hadn't seen before. Plus, the human in question was Miror. B.
Personally, I don't like this, but I'll tolerate it in crossovers, because the reader might not be familiar with both universes.
A BAD example of exposition was a Pokémon Mystery Dungeon fanfic where most of the first chapter was a series of questions-and-responses between two characters with no action in between, creating a glorified bullet-point list of basic Pokémon mechanics.
A GOOD example of exposition is in an aggressively decent Harry Potter/Fullmetal Alchemist crossover where Alphonse Elric ends up hanging out with the Golden Trio during the Deathly Hallows, because it provides characterisation for Al. Highlights included him saying that wizards didn't want to take responsibility for their actions, wondering what's wrong with horcruxes, and the trio freaking out when he takes his helmet off. It was a bit stupid for Ron to reveal a bunch of stuff about the Wizarding World to some random Muggle he just met, though.
When I write Pokémon crossovers, I'll try to spread out the exposition, only describing things when they're necessary to come up, to avoid bogging down the story. I'll only describe a Pokémon species in great detail if it'll be important to the whole story and it hasn't been described before, and incidentally, I'll only compare them to animals if the perspective character has never seen a Pokémon before.
I once read a Pokémon/My Little Pony crossover where a pony mistakes a human for a dragon, and I liked that because it was funny, and something I hadn't seen before. Plus, the human in question was Miror. B.
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