The animator recently celebrated the three year anniversary of the PokéNational series, which presents Pokémon in faux nature documentaries, complete with “footage” of the Pokémon in its natural habitat and informative narration. Elious reports that there are currently 25 episodes of PokéNational, along with 11 episodes of the Spanish-language version PokéNacional, and 3 of the Chinese-language 寶可夢紀錄片 (Pokémon Documentary), all of which are hosted on the channel scheduled for deletion.
YouTube states that the PokéNational series violates applicable copyright law by using “Pokémon video games, including the audio-visual works, characters, and imagery.” Elious reports their only usage of Pokémon assets are audio clips of Pokémon cries, but believes these should fall under fair use, a US legal doctrine which allows the use of copyrighted materials under certain conditions. The copyright strikes from Nintendo of America are against entire videos, despite their ability to specify timestamps, and despite the fact that sections of videos do not contain Pokémon at all.
Nintendo of America’s decision to copyright strike PokéNational at this time seems unprompted. PokéNational has previously received attention from major outlets like IGN, Polygon, and Kotaku, bringing the channel to global consciousness without ire from NOA. Elious reports that the strikes seem automated, coming overnight in batches of 5 or more, and even striking a video that is not part of the PokéNational series. YouTube’s content detection tool, called Content ID, does automatically identify material which may violate YouTube’s copyright policies and can apply content blocks, but does not automatically initiate copyright strikes.
Elious conveyed a sense of powerlessness against so large a corporate entity as Nintendo of America. The PokéNational channel has almost 100,000 subscribers on YouTube, and Elious reports that the examples of their animation furthered their professional endeavors, as well as finding fulfillment in educational entertainment content.
Elious, creator of PokéNational, said:
PokéNational has done a lot for me, I've gotten internships, I've gotten jobs because of PokéNational because I've showed people my animation skills through that... I remember getting comments from teachers and parents being like 'Oh, I like showing this to kids,' and that type of stuff. Which is why I focused on making the series more educational, why I switched it to have other languages so you could use it for those types of things.
Nintendo of America, as opposed to other entities which may have a claim on the Pokémon IP, such as The Pokémon Company International (TPCi), has a reputation for being overly and even unjustly litigious among fans. It is Nintendo of America that issued a DMCA subpoena against perpetrators of the “teraleak,” and it is Nintendo of America that contacted a TCG shop in NYC after they were violently robbed to have Pokémon IP removed from the store’s branding. However, NOA chose not to respond in a legal capacity to recent use of their branding by the White House X (formerly Twitter) account, leaving TPCi to simply release a statement dissociating themselves from the usage.
Elious expressed frustration that channels producing similar content using generative AI do not seem to have been copyright struck, after having previously voiced their distaste for TikTok’s automatic usage of their content for AI. There was also concern that creators making similar “real-life” Pokémon content, such as The Pokémon Conservationist, may be the next target for strikes like PokéNational’s. Elious encourages their fans to follow them on their other YouTube account, EliousEntertainmentYT, for non-Pokémon related animation.
- Sources
- YouTube
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