- Joined
- Nov 8, 2005
- Messages
- 10,247
- Reaction score
- 3,101
- Pronouns
- She/Her
- Staff
- #1
Ash and co. and the Brocklings
in
"The Parasol Production"
A brown haired boy sighs as he studies the cursor blinking patiently on the PC screen. <i>Write a dramatic adaptation of a folk or fairy tale, tape the performance, and show it to the class--I thought I'd be able to write a play easily....</i> he muses as he types "Little Red Riding Hood" on the top line, but then reconsiders. <i>Why does it sound so easy, yet it turns out to be so hard? Especially when a chance to perform your play at the culture festival is on the line?</i> He re-types "Little Red Riding Hood" on the top line again, adds "Magician" as the first role, but then deletes it. <i>Nah--a magician would be too over the top...</i>
"How's the homework coming, Forest?" a male voice asks.
Forest whirls around and smiles when he sees an older boy with similar features to him standing in the doorway. "Brock, just the guy I needed to see!" he laughs as he pulls up a chair by the desk, allowing Brock and a pink humanoid creature to see the screen. "I'm trying to write an adaptation of a folk tale as a play, but everything I've come up with to adapt 'Little Red Riding Hood' re-invents the wheel."
"Why not adapt it in a completely different style of play?" Brock suggests.
"Like what?" Forest asks.
"I've been reading about an ancient style of theater popular in Johto many years ago..." Brock explains, showing Forest a novel called "Star of the Gekijo". "'Star of the Gekijo' is about this girl who wants to make it big on a Gekijo stage at the height of the form's popularity a thousand years ago. At that time, thousands of plays--both original and based on myth and legend--were written and performed until its decline two hundred years ago."
"Is that style still performed today at all?" Forest asks, interested.
"Fortunately, yes--a revival in the form was sparked a hundred years ago, and it is still performed in Ecruteak City, Celestic Town, and all across Fiore today, just to name a few places." Brock replies. "My point is, 'Little Red Riding Hood' just might work as a Gekijo play."
"How?" Forest asks. "What is a Gekijo play like?"
"Well, to start, Gekijo plays typically have a narrator, a small ensemble of actors, a chorus, and prop people changing the sets." Brock explains.
"So good bye Red Riding Hood, hello Crimson Parasol. " Forest muses as he deletes 'Little Red Riding Hood' and writes 'Crimson Parasol' as his play's title. He then skips a few lines and writes "Characters", then writes "Akane", "Oka-san", "Oba-san", and "Taiyou and Tsuki, the prop people" on his list. "And the Mightyena is turning into a Raikou." he adds as he writes "Langi, the Raikou" on his cast list.
"Is a Beautifly going to be in the play, Forest?" a younger girl asks.
"Well..." Forest is unsure.
"I won't be in it unless I can play a Beautifly!" the girl threatens.
Forest sighs and writes "Nabi, the Beautifly" in the cast list. "Okay, Mia, you can be a Beautifly...."
"If a Squirtle is in this play, I am so in!" another boy comments as he watches Mia take the pink humanoid to her room.
"Sure, Bobby!" Forest smiles as he writes "Chelona, the Squirtle" onto his cast list.
Brock, meanwhile, reads from his book. "Unlike most ancient theater traditions, girls could act and be in the chorus. Gekijo plays were very musically oriented, so choruses included musicians as well as speakers."
"What kind of instruments were there?" Forest wonders.
Brock looks a little farther down the page. "There was always a Pokeflute or whistle, a drum, and a gong, but harps and fiddles were not unheard of." Inspired, Forest types "Arran Seluna, the Emerald Singer, teller of tales" on his cast list. "If you didn't get any of the main instruments, you got some kind of percussion, including but not limited to wood blocks, bells, tambourines, finger cymbals, chimes, and shakers. Some productions even had the narrator play an instrument."
"No prizes for who gets the whistle." Forest muses as he adds "Jelan Mirana, the Ruby Flute" and "Loras Kimbore, the Sapphire Dancer" to his cast list. Sure enough, a whistle playing the tune "Off to Pastoria" drifts down the hall. The performer, a black haired boy, enters the room and makes himself comfortable on a deep red beanbag chair, playing the song all the while.
"Bravo!" Bobby applauds. "Now play 'The Dancing Pikachu', Ash."
"Now that, I'll do one better." Ash smiles as he invites a black haired girl to join him in the room. Once the girl is comfortable with a fiddle, the two of them play "Rock on the Mountain, "The Clefairy's Dance", and "Happini's Star".
"Sorry to interrupt the concert, but what about my play?" Forest asks over the applause.
"For one thing, where are we going to get a chorus?" Bobby asks as Forest types "Woodsman" and "Chorus of Arran's apprentices" to finish the cast list.
"And how big should it be?" Forest looks to Brock for the answer.
"Gekijo choruses typically had about twelve to forty people, but more elaborate productions had even more." Brock replies.
"Okay, so Brock, Ash and Dawn are playing Arran, Jelan, and Loras..." Forest muses. "Bobby's playing the Squirtle, Mia's playing the Beautifly...Mom could play the mom in the play...."
"Do I get a part?" a girl about Forest's age asks as she walks in the room.
"You could be Akane, Terra..." Forest offers.
"Sure!" Terra replies.
"Keep in mind that lines in a Gekijo play were flowery and stylized, and movement was often synchronized to the instruments." Brock explains as Forest begins writing the script. "The gong usually announced the entrance of the villian, punctuated by the flute or whistle mimicing a female scream."
"I can do that!" Ash then proceeds to blast a high note that sounds eeriely like a human scream, complete with the pink humanoid banging a frying pan for effect.
Everyone laughs. "Something like that." Brock chuckles.
"What was that scream?" A brown haired woman peeks in the room, concerned.
"I was only showing the kids how a whistle mimics a human scream, Lola." Ash sheepishly explains, fingering his instrument.
"Well, don't whistle scream in here." Lola warns before turning to leave.
"Would you want to play the mom in the play, Mom?" Forest calls after Lola.
"Maybe--if you do a good job writing the script." Lola replies before tending to the laundry.
"And why stop with just us?" Bobby asks, excited. "We could ask our friends to help!"
<i>This is going to be a fun play!</i> Forest thinks as he writes the script, unaware of the chaos that will ensue.
in
"The Parasol Production"
A brown haired boy sighs as he studies the cursor blinking patiently on the PC screen. <i>Write a dramatic adaptation of a folk or fairy tale, tape the performance, and show it to the class--I thought I'd be able to write a play easily....</i> he muses as he types "Little Red Riding Hood" on the top line, but then reconsiders. <i>Why does it sound so easy, yet it turns out to be so hard? Especially when a chance to perform your play at the culture festival is on the line?</i> He re-types "Little Red Riding Hood" on the top line again, adds "Magician" as the first role, but then deletes it. <i>Nah--a magician would be too over the top...</i>
"How's the homework coming, Forest?" a male voice asks.
Forest whirls around and smiles when he sees an older boy with similar features to him standing in the doorway. "Brock, just the guy I needed to see!" he laughs as he pulls up a chair by the desk, allowing Brock and a pink humanoid creature to see the screen. "I'm trying to write an adaptation of a folk tale as a play, but everything I've come up with to adapt 'Little Red Riding Hood' re-invents the wheel."
"Why not adapt it in a completely different style of play?" Brock suggests.
"Like what?" Forest asks.
"I've been reading about an ancient style of theater popular in Johto many years ago..." Brock explains, showing Forest a novel called "Star of the Gekijo". "'Star of the Gekijo' is about this girl who wants to make it big on a Gekijo stage at the height of the form's popularity a thousand years ago. At that time, thousands of plays--both original and based on myth and legend--were written and performed until its decline two hundred years ago."
"Is that style still performed today at all?" Forest asks, interested.
"Fortunately, yes--a revival in the form was sparked a hundred years ago, and it is still performed in Ecruteak City, Celestic Town, and all across Fiore today, just to name a few places." Brock replies. "My point is, 'Little Red Riding Hood' just might work as a Gekijo play."
"How?" Forest asks. "What is a Gekijo play like?"
"Well, to start, Gekijo plays typically have a narrator, a small ensemble of actors, a chorus, and prop people changing the sets." Brock explains.
"So good bye Red Riding Hood, hello Crimson Parasol. " Forest muses as he deletes 'Little Red Riding Hood' and writes 'Crimson Parasol' as his play's title. He then skips a few lines and writes "Characters", then writes "Akane", "Oka-san", "Oba-san", and "Taiyou and Tsuki, the prop people" on his list. "And the Mightyena is turning into a Raikou." he adds as he writes "Langi, the Raikou" on his cast list.
"Is a Beautifly going to be in the play, Forest?" a younger girl asks.
"Well..." Forest is unsure.
"I won't be in it unless I can play a Beautifly!" the girl threatens.
Forest sighs and writes "Nabi, the Beautifly" in the cast list. "Okay, Mia, you can be a Beautifly...."
"If a Squirtle is in this play, I am so in!" another boy comments as he watches Mia take the pink humanoid to her room.
"Sure, Bobby!" Forest smiles as he writes "Chelona, the Squirtle" onto his cast list.
Brock, meanwhile, reads from his book. "Unlike most ancient theater traditions, girls could act and be in the chorus. Gekijo plays were very musically oriented, so choruses included musicians as well as speakers."
"What kind of instruments were there?" Forest wonders.
Brock looks a little farther down the page. "There was always a Pokeflute or whistle, a drum, and a gong, but harps and fiddles were not unheard of." Inspired, Forest types "Arran Seluna, the Emerald Singer, teller of tales" on his cast list. "If you didn't get any of the main instruments, you got some kind of percussion, including but not limited to wood blocks, bells, tambourines, finger cymbals, chimes, and shakers. Some productions even had the narrator play an instrument."
"No prizes for who gets the whistle." Forest muses as he adds "Jelan Mirana, the Ruby Flute" and "Loras Kimbore, the Sapphire Dancer" to his cast list. Sure enough, a whistle playing the tune "Off to Pastoria" drifts down the hall. The performer, a black haired boy, enters the room and makes himself comfortable on a deep red beanbag chair, playing the song all the while.
"Bravo!" Bobby applauds. "Now play 'The Dancing Pikachu', Ash."
"Now that, I'll do one better." Ash smiles as he invites a black haired girl to join him in the room. Once the girl is comfortable with a fiddle, the two of them play "Rock on the Mountain, "The Clefairy's Dance", and "Happini's Star".
"Sorry to interrupt the concert, but what about my play?" Forest asks over the applause.
"For one thing, where are we going to get a chorus?" Bobby asks as Forest types "Woodsman" and "Chorus of Arran's apprentices" to finish the cast list.
"And how big should it be?" Forest looks to Brock for the answer.
"Gekijo choruses typically had about twelve to forty people, but more elaborate productions had even more." Brock replies.
"Okay, so Brock, Ash and Dawn are playing Arran, Jelan, and Loras..." Forest muses. "Bobby's playing the Squirtle, Mia's playing the Beautifly...Mom could play the mom in the play...."
"Do I get a part?" a girl about Forest's age asks as she walks in the room.
"You could be Akane, Terra..." Forest offers.
"Sure!" Terra replies.
"Keep in mind that lines in a Gekijo play were flowery and stylized, and movement was often synchronized to the instruments." Brock explains as Forest begins writing the script. "The gong usually announced the entrance of the villian, punctuated by the flute or whistle mimicing a female scream."
"I can do that!" Ash then proceeds to blast a high note that sounds eeriely like a human scream, complete with the pink humanoid banging a frying pan for effect.
Everyone laughs. "Something like that." Brock chuckles.
"What was that scream?" A brown haired woman peeks in the room, concerned.
"I was only showing the kids how a whistle mimics a human scream, Lola." Ash sheepishly explains, fingering his instrument.
"Well, don't whistle scream in here." Lola warns before turning to leave.
"Would you want to play the mom in the play, Mom?" Forest calls after Lola.
"Maybe--if you do a good job writing the script." Lola replies before tending to the laundry.
"And why stop with just us?" Bobby asks, excited. "We could ask our friends to help!"
<i>This is going to be a fun play!</i> Forest thinks as he writes the script, unaware of the chaos that will ensue.
Last edited: